If one thinks of geometric abstractionism in painting, one is instinctively tempted to associate it with compositions of pure and two-dimensional shapes, more or less...
Among the Italian art cities, Venice is perhaps the only one in which the emergencies of the globalized present, inextricably embodied in the vestiges of...
Still life, pictorial protagonism of objects and illusionistic representation are categories, in the past widely frequented by the history of art, which today we tend...
Emilio Vavarella (Monfalcone, 1989) artistically arrived at the creative and semantic exploration of genetics in 2019 through the Italian Council call, which allowed him to...
Gerold Miller (1961, Altshausen, Germany) is known for the coherence with which he has developed over the years the minimalist and conceptual poetics that make...
In Bologna (occasionally) something moves and reminds us that emerging artistic production can be not only the first stage of an entrepreneurial path aimed at...
The Seeking blue gold exhibition by Lucy + Jorge Orta in the evocative location of the Oratorio di San Filippo Neri in Bologna, promoted by...
The artistic and life partnership of Anne and Patrick Poirier (Marseilles, 1941; Nantes, 1942) began more than fifty years ago when, winners of the Gran...
The British artist Emma Talbot (1969, Stourbridge, United Kingdom) was one of the great female protagonists of The Milk of Dreams exhibition curated by Cecilia...
In Pulsions and their Destinies (1915), Sigmund Freud describes instinct as “a concept on the borderline between the mental and the somatic, the psychic representative...
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ASSOCIAZIONE JULIET – via Battisti 19/a – 34015 Muggia (TS)
Juliet art magazine è pubblicata a cura dell’Associazione Juliet - direttore responsabile Alessio Curto autorizzazione del Tribunale di Trieste, n. 581 del 5/12/1980, n. 212/2016 V.G. registro informatico C.F./P.IVA 00699740320 | c/c postale 12103347 | SWIFT UNCRIT M10MC | IBAN IT75C0200802242000005111867 | UNICREDIT Banca Trieste.