We are all strangers on this planet. The most obvious meaning of the 2024 Venice Biennale lies in the quicksand that makes a large part...
Necessary bewilderment: this is the first sensation one has when entering the Australian Pavilion at the 2024 Biennale, which won the Golden Lion dedicated to...
Among the first works that struck me during my stay in Venice, on the occasion of the staging of the sixtieth Biennale, was precisely that...
The strength of art has always been to oppose social injustice. The 60th edition of the Venice Biennale is a reminder that these struggles are...
During my period in Venice, in the days preceding the vernissage of the Biennale, I had the opportunity to meet many artists intent on assembling...
«Disobedience Archive is a multi-phase, mobile and evolving video image archive that focuses on the relationship between artistic practices and political action. Valerio RomitelliValerio Romitelli
At the 60th Venice International Art Exhibition – La Biennale di Venezia, post-colonial art and curatorship is emerging. The Venetian show, one of the most...
The 2024 International Art Exhibition – La Biennale di Venezia, entitled ‘Strangers Everywhere’, from the motto imprinted in Claire Fontaine’s neon sculptures scattered between the...
Experience, immateriality, relationship and listening are the terms evoked by Due Qui/To Hear, the project sculpted on the upbeat by artist Massimo Bartolini and directed...
Stranieri Ovunque, Foreigners Everywhere, the theme identified by curator Adriano Pedrosa for the 60th edition of the Venice Biennale Arte, derives from an artwork by...
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Juliet art magazine è pubblicata a cura dell’Associazione Juliet - direttore responsabile Alessio Curto autorizzazione del Tribunale di Trieste, n. 581 del 5/12/1980, n. 212/2016 V.G. registro informatico C.F./P.IVA 00699740320 | c/c postale 12103347 | SWIFT UNCRIT M10MC | IBAN IT75C0200802242000005111867 | UNICREDIT Banca Trieste.