On 15 November 1974, De’ Foscherari gallery inaugurated the exhibition “Ghenos, Eros and Thanatos” where the curator Alberto Boatto, one of the most radical critics...
Sound art has now emerged as an extremely prolific area of experimentation within contemporary art and increasingly represents an inexhaustible source of research for artists...
In the sixties and seventies, among the artists in Turin with a marked individuality, belonging or not to the Arte Povera, Piero Gilardi was certainly...
One of the most important traits of our time is the expansion of the intangible component in all aspects of practical , emotional and relational...
At the beginning of “The Waste Land” Thomas Eliot quotes a fragment of Satyricon by Petronius which says: “Sibilla what you want? I hope to...
CAR DRDE is pleased to present Eocene, solo exhibition by Alberto Scodro (Marostica, 1984), sculptor and environmental artist who lives and works between Vicenza and...
The sudden death of Jannis Kounellis, on 16 February, just when he was at the height of his activity and was called to exhibit especially...
In which way are we accomplices of the past that we inherit and of the history that we consume in the present? The Old Continent,...
Among the most important European sculptors of his generation but still not adequately known in our country, Peter Buggenhout (Dendermonde, 1963) arrives in Bologna with...
To observe, study and confront the masters of the past has always been the prime mover of art history and the necessary presupposition of every...
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Juliet art magazine è pubblicata a cura dell’Associazione Juliet - direttore responsabile Alessio Curto autorizzazione del Tribunale di Trieste, n. 581 del 5/12/1980, n. 212/2016 V.G. registro informatico C.F./P.IVA 00699740320 | c/c postale 12103347 | SWIFT UNCRIT M10MC | IBAN IT75C0200802242000005111867 | UNICREDIT Banca Trieste.